marco bailey strikes back to his own imprint mb elektronics with yet another powerful ep. being more and more influenced by his unstoppable gigs all over the world, the label boss never disappoints on transforming his endless power to sound.

graham luckhurst, aka greymatter is one of the core producers of wolf music alongside medlar and krl. with a love for deep cuts, booming sonics and an amalgamation of influences that incorporates everything from jazz and world, garage to hip hop, luckhurst has developed progressive production and dj-ing styles that are uniquely his own. with a list of collaborative remixes the length of your arm, his experience as a producer is not to be overlooked and describing his output as prolific would be an understatement. greymatters sound is fine-tuned for cutting edge sound-systems and modern clubbing ears.

the latest bass culture presents an exciting partnership between label boss d julz and his long time friend cassy, resulting in three tracks of the kind of refined house music that you would naturally expect from two well-travelled djs. her global status as a dj ensures cassy is never far from the minds of switched-on house heads, but its a rare treat to enjoy her own productions. when she appears on record she makes it count, and its no different here as her and djulz tap into what makes them tick as djs and dancers alike

barely has the dust settled on the first cold tonic, yet label boss krystal klear is back already with two more heavy hitters for tonic002. building on the foundations of the debut release, dance 7fs shows a darker shadow rarely seen in previous krystal klear music. moving into lights out, eyes down territorywith the driving breaks of west end disco, this is kk stepping into his own. fumer tue features relics-esque string laden melancholy but never ever goes fully pg. this is r-rated lovers music and, if the feedback is anywhere near the mark, could easily go straight into last-tune-of-the-night-classic territory for the next generation of dance music connoisseurs.

drawing from his inspirations like never before, urban animal is claude vonstrokes most personal lp to date. naturally this remix package has been curated with the same amount of passion and features some of the california birdmans favourite producers. solomon (diynamic) and dixon (innersions) - old friends and kindred bolster the original message of the album with clarity and creativity!

the double vinyl lp includes a cd-copy of the full album.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

part 3 of 5 in the classic series features material previously released (andres and john tejada & arian leviste) on the m&g compilation >beneath the surface< but never pressed on vinyl. also featured are planned but unreleased nuggets from brad peterson & ewan jansen.

we are proud to introduce you our brand new number five release, from no other than the hoax believers, this misterious combo deliver their first audio output in our label, and this make us happy.

>its killing!< nile rodgers a five track masterpiece of pure 8os influenced pop/funk/boogie from new york. mastered by herb powers (sade, eric b. & rakim, sharon redd, evelyn champagne king etc.)

transition lab recordings is proud to present his second release of the talented member of transition lab family alfredo caforio with an amazing truncate version. in this ep alfredo mixes perfectly the deep atmospheres with straight grooves and decisive percussions that make this record a complete experience and show us the whole interesting musical background of the artist. david flores aka truncate doesnt need presentation. he chooses to retouch the original 1week obviously he never fails, his remix is simply,incisive, a combo of few and clear elements that go straight to kill the dancefloor.)

akurat wurde der jubiläumssampler bleep10 kompiliert, der diverse facetten zeitgenössischer elektronischer musik streift. mit dabei sind kompakts wolfgang voigt mit seinem gas-projekt, starke neuproduktionen von autechre, m-ziq und dabrye, sowie farbenreiche electronica von lone und machinedrum. und während oneohtrix point never dem hörer einen ambienten ruhemoment gewährt, steuern shackleton, untold und modeselektor explosives dancefloormaterial bei

tango! volume two in the rare argentinian grooves, reworked by disco connaisseur ricardo piccolo. youll never find these joints again! limited to 250 copies.

i d been thinking about starting a label for a few years but it never really seemed like it could work. nowadays there is more coherence in my productions it seems like the right time. i will be releasing music from other artists as well my own stuff - underground house, techno and the rest, stuff with darkness and sexiness. hopefully it is music that will speak to (somebodys) heart as well as their feet. the first release is called no splice no playback and it is two tracks of house music. vinny (flamingo) is a basement thing, suckle (twenties) works in warehouses too. thanks for reading. -mosca

next release from the duesseldorf label gua ltd. again this record is limited up to 300 copies and will never repressed. vinyl only !

jonas kopp is the man in charge of our labels new and latest release. the argentinean dj and producer is one of the most prolific in the scene: he records for the best labels, never stops remixing and has gigs almost everywhere. and of course, he also runs his own imprint, traut muzik.

raw waxes meets unperson for its second release: 2 vinyls, 4 techno tracks per vinyl, including remixes by perc, samuli kemppi, stanislav tolkachev and tomohiko sagae.
the second release supports unperson, who dont want to share with you any infos about bio or thought, just want to let you feel in his trip. stream of consciousness ep is his manifesto of driving industrial techno and for any kind of underground dancefloor. indeed raws stuff collected for this ep 4 artists who never look to what can sell or what is considered cool. they did amazing remixes understanding at the best what raw is looking for: no pussy techno, no easy techno.

nice price deal !!! quenum is an extraordinary individual. a professional breakdancer that was raised in africa, he found love in london in the 80s through mastering the art of djing to early electronic music and broke into the spotlight as acess58 in the 90s before forming the cadenza label with luciano in 2003.
his debut album *face to face* is deliriously deep and melancholic, rhythmically complex and gives a fragile new voice to techno. across the eleven original tracks, phillippe quenum exudes a graceful temperance creating tracks that flutter and take flight (indulge in synth voices of *children of the sun*) as well as rattle the bass bins (sample the raw energy of *basic solution* and delicate power of *ritual*). both sparse and insightful (*my people*) as well as intricate and anthemic (*never loose my soul*), quenums delivery is always quirky and slightly surprising and *face to face* is a curious analysis into this honest musical soul.

ejecta ist das neu projekt von leanne macomber (aka neon indian) und joel ford, der mit daniel lopatin (oneothrix point never) das duo games bildete. die 10 ejecta songs verbinden elektronischen dream-pop frueher 4ad-releases von cocteau twins oder this mortal coil mit der disco-coolness eines kavinsky oder der chromatics. limitiertes lp-format.

following on from his 2012 autoreply debut the model steps up again with a precise, deadly-effective two tracker. as a producer he can never be pigeon-holed serving up his mysterious blends of deep, robotic, space- funk across labels like traum schallplatten, crosstown rebels and his own clone powered adult central imprint. night times the right time finds the romanian in fine-form laying down punchy drums with pulsating-bass, persistent chords and analog synth tension. flip the disc for wolf and you get a darker, dub-driven take over the same infectious, floor-shaking beats. long tracks, mastered to perfection and playable to the max - check it.

early in 2013, los angeles-based live act pharaohs dropped their debut on esp institute, island time, along with tornado wallaces esp debut thinking allowed the idea being a simultaneous release followed by the artists remixing each other. well, here we have the 4th corner of the puzzle, a perfect set of jams for the tail end of summer. on side a, pharaohs themselves revisit ahumbo, inviting the neighborhood boys over for fatty then proceeding to bang the drum, while the flip side gives us the tornado wallace take on if it ever feels right, a beast of a track that nibbles but never really bites, a classy tension-builder, perfect for transitioning into.

luaka bop will release william onyeabor - what?!, for which the label partnered with moog to commission remixes and covers of the remarkably elusive african electronic artist william onyeabor, on 2lp vinyl for record store day, april 19. the collection features reworkings of world psychedelic classics 5: who is william onyeabor?, one of the most critically acclaimed albums of 2013. in the absence of participation from onyeabor, who long ago turned his back on music, luaka bop continues to engage other artists to create work, inspired by onyeabor, in various mediums. william onyeabor - what?! opens with hot chips cover of the onyeabor landmark *atomic bomb* and also includes jd twitchs (optimo) cover of *why go to war?*.

following forthright dispatches on power vacuum and overlee assembly, j. tijn returns to pennyroyal to deliver another ep of weighty oh my god dat bass son can you feel it so hard so haad i think i just came up i never felt so lucid before it is as if i am being creeper massaged by the wet knuckles of every touch point of rave past present and future went out to buy a dyson came back with a hoover double drop youth led techno revival we ensure true rave survival.

neo romantico dance music by shangri & la. inspired by a club and a scene that never was, we hear rroto acid, bongo boogie, future reggae and candid club cuts that equals the fantastic four. great sounding music for good looking people.

announcing the forthcoming album ambient mixes 4 brand new remixes off the album future that never happened. a side is fully filled with german freund der familie long & dark 10 minutes haunting dub-techno. flip on b side to find 20 minutes of mind cooling chills and spine-tingling thrills remixes by portuguese pedro magina, english lungwah & french polynesian zwei kreise in a pure i think therefore i ambient tradition.

volume 6 der about berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

enemy follow their policy of superb strong releases and they never disappoint. flug is back on dustin zahns enemy imprint. dark and detroitesc techno.

wiederveroeffentlichung des greensleeves longplayer von 1984. am mischpult saß phillip smart (neben scientist und prince jammy der dritte meisterschueler von king tubby), mit den musikern bass: paul henton, drums: donny marshall, guitar: errol moore, guitar lead: donovan mckitty, keyboards: william brown, horns: derek hinds. der titelsong ist ein absoluter classic tune der reggae-historie und basiert auf jackie mittoos hot milk riddim.

the new metronomy album, love letters, has a title that speaks volumes about sensations and modes of communication, about things that have always been there, and will always be here. its no coincidence either. this is a record that wants to be timeless. in its execution, love letters tries to do fresh things in an old-fashioned way. it takes richer methods of recording and injects them with the shock of the new of tight electronics, and experiments in sound. it does so not to be retro, but to embrace the quality standards of the past. it also aims to be up there with the greats, reaching for those old stars.

the first release on our brazil 45s imprint. 1000 press, packaged in brazil 45s house bags.
*deixa eu dizer* is an absolute essential brazilian record, as sampled by marcelo d2 on one of our favourite brazilian hip hop records *desafabo*. the track features on her stunning album of the same name has never been released on 7 inch.
cizinhas track was originally released on rozenblit and has been a firm favourite of ours for a while, although we know nothing about the track.

2014 repress. 180 gramm vinyl. bvdub need no further explanation. 2 tracks with almost 25 min playtime. be sure to get your hands on this amazing masterpiece of dub techno. shrink wrapped.

this reissue comprises the entire 1991 matter lp, as well a bonus 7inch record containing 2 tracks never before released on vinyl. all songs on >matter< were recorded and mixed by tobias freund (pink elln). all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the vinyl is housed in a jacket featuring the photographic traces of a high-energy photon hitting a proton. each lp includes a 2-sided insert with original album reviews, press clippings, liner notes by atom and photos.

das kultlabel acid jazz präsentiert das debüt-album der dexters, im april auf tour.

in a world where the internet overflows with the bedroom edits of thousands of would-bes and never-haves, it is worth remembering that there was a time, not so very long ago, when the edit block was an exclusive territory that only true disciples could enter.

fontarrians debut effort for berlin-based label antime offers a glimpse into a fragile yet eclectic spectrum consisting of loopy vocal bits, slowly unwinding washes of dream like ambience, distinctively (s)tumbling almost jazzy percussions and an ever-present, blissful warmth. the latter emanates from and sucks you into what seems to be a world of its own. like a lo-fi attempt at capturing momentary twists of the heart through 10 significantly diverse tracks - imperfect nonetheless - the album feels like a mixtape you ve set out to record for someone special, but somehow never got around to.

dr.motte s euphorhythm - acid4real(hardfloorremix) was recorded in 2010 / 2011 and planned to be released (with the originalversion and other remixes) on motte s label praxxiz but it was never published. dynamik bass system - robotmachine(hardfloorremix) was only released digital so far in 2011. 3 years later it s about time to manufacture a ltd. 200, continuously numbered and handstamped vinyl edition..

nach dem debuetalbum yes is more (2009) und remixes für röyksopp, radio slave & andrew weatherall präsentiert der londoner pop-elektroniker danton eeprom sein zweites album als hybriden aus leftfield-pop, detroit techno & chicago house, der zwischen catchy synth-pop (biscotto & chimpanzee), lasziven hiphop (hex tape), roxy music-charme (never ask, never tell), late-nite-house-sleaze (femdom, hungry for more) und kroenender eleganz (all eyes on me) variiert.

as a producer, chris manik has never shied away from incorporating his affinity for different music genres and styles into his celebrated namesake material. as proven on previous releases, his innovative and sultry blend of house music has garnered praise from audiences worldwide.

another stonking release - part 5 from the former ukg production super-duo !, be quick - limited 1st pressing copies, hand numbered and stamped as usual... the penultimate title in the series perhaps

forth release from the project london camp, this time ukraine born, german based kashawar teams up with fellow ukrainian duo yate. already received heavy support. as always limited 300 copies, never repressed.

the mighty maw from nyc, rick wade from detroit, baaz & tomska from europe returns with this vinyl only release featuring an unreleased gem from back in the day the aptly named tribute from maw a 6 minute live deep jazzy house symphony workout from the boys themselves with groovy fat bass & uplifting fluids, which has never seen the light of day. the release also features tracks by rick wade & baaz & tomska

modern basement jams, looped 70s soul classics, re-tweaked & well-loved disco anthems!upfront support from:dj harvey, horse meat disco, rahaan, crazy p

incl brothers vibe remix

great reissue of the hugely in-demand rota enterprises 12 inch release of panaches massive jazz-funk tune *sweet music*. unstoppable and fiercely funky, this brilliant cut never lets up the energy for a second - frenetic guitars and bass combine with grooving keys and sweet vocals in a highly-charged dancefloor bomb. backed with the equally wonderful instrumental jazzy version which ramps up the drums and keys, a big favourite of kenny dope amongst others. unbelievably good and ultra hard-to-find in the original, you wont want to miss this!

larry levan classic that was played in its entirety at the closing of paradise garage - september 1987. larry played both parts for over 20 minutes, yet it was never officially released at the time. finally saw the light of day in 2007 this is an official repress using the original artwork on king street sounds sub label nite grooves. fully re mastered for 2014!

excellent 80s italo disco

deadbeat. tikiman. infinity. dub. a quadrangle of such obvious statement and perfect musical inference may very well never have been uttered for those of the wholly weeded out persuasion. indeed, when the great book of dub music is written the names scott monteith and paul st hilaire will undoubtedly figure highly in its chapters devoted to recent years. monteith, the last great prodigal son of the doctrine handed down from the blue mount of lord scratch and king tubby, st hilaire the undisputed voice of a generation, those fanatical warrior monks, followers of the most holy house of ernestus and von oswald incarnate.

after a successful first year, untzz twelve inch start off 2014 with their first extended player, a collaborative offering between friends freddie norwood & dass on 180 gram vinyl. freddie touched gold since his debut they never used to stay out all night, winning the hearts of selectors and home listeners alike, and the tongue in cheek how low can u go went on to become an anthem of both european and australian summers. all the while dass has maintained a strong presence in the shadows, honing a dark and atmospheric sound that remains inviting for the creatures of the night. together, they have crafted an elegant and timeless record showcasing a further look into what is still to come from untzz twelve inch.

in recent times soul notes tilted a little towards more groove driven, distortion ladenmachine funk. snx001 is the missing release out of the snx series thus far. label head honcho kastil joins up with cologne based adryiano, who is quickly becoming one of the labels favorite household names. the signature snx sounds is developing into a dark psych-oriented club sound which this ep represents as never before. the opening track *snakes and holes* is pure percussive machinery with the heaviest overdriven kickdrums you will ever hear. on the a2, adryiano sets the mood with a low swinging bass and some eardrum deafening kicks which progresses into the b1 which is perced out to the max with some 303 bassline drama and distortion to top that off. for the b2 track, head honcho kastil shows off some lo-fi drum action on controversy.
prewssing on 180 gram pink & white coloured vinyl.